Home | London Main | References | Contact 
Previous photo Next photo Thumbnail page
London National Gallery Next 20 03 Giovanni Bellini - The Agony in the Garden London National Gallery Next 20 04 Hans Holdein the Younger - The Ambassadors London National Gallery Next 20 05 Raphael - Pope Julius II London National Gallery Next 20 06 Leonardo da Vinci - The Virgin and Child with Saint Anne and Saint John the Baptist London National Gallery Next 20 07 Lorenzo Lotto - Portrait of a Lady with a Drawing of Lucretia
First page Previous page Index page Next page Last page
London National Gallery Next 20 05 Raphael - Pope Julius II  [5 of 20]


Raphael - Portrait of Pope Julius II, 1512, 108 x 81 cm. This is a portrait of Pope Julius II, shortly before his death in 1513, wearing a red and white cape. The pope had grown a beard to show that he was upset about the loss of the city of Bologna. Julius II was a liberal patron of arts, employing Bramante for the design of St. Peter's cathedral, and bringing Raphael to Rome to decorate his private apartments and commissioning Michelangelo for the frescoes on the ceiling of the Sistine Chapel and for his own tomb. Julius is seated in an armchair adorned with his own personal emblem, the acorn. The pope’s head is in the centre of the painting, with a line emphasized down to the handkerchief in his hand.
London National Gallery Next 20 05 Raphael - Pope Julius II Raphael - Portrait of Pope Julius II, 1512, 108 x 81 cm. This is a portrait of Pope Julius II, shortly before his death in 1513, wearing a red and white cape. The pope had grown a beard to show that he was upset about the loss of the city of Bologna. Julius II was a liberal patron of arts, employing Bramante for the design of St. Peter's cathedral, and bringing Raphael to Rome to decorate his private apartments and commissioning Michelangelo for the frescoes on the ceiling of the Sistine Chapel and for his own tomb. Julius is seated in an armchair adorned with his own personal emblem, the acorn. The pope’s head is in the centre of the painting, with a line emphasized down to the handkerchief in his hand.